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As the government grew increasingly authoritarian, perceived leftist writers were harassed, magazines confiscated, and theatres raided. Despite the general hostility to innovation in the arts, there were serious attempts to break the mold of a conventional theatre of entertainment. The leading director of the period, Leon Schiller created a monumental theatre, using Shakespeare, the Polish romantics and neo-romantics, and Brecht, to create large scale works, composed in dynamic images, with huge crowds, choruses, choirs, music, song, and rhythmic movement. Soviet-style proletarian theatre, promoted by Bruno Jasienski and Witold Wandurski was not tolerated, and both writers went in exile to the USSR where they credit report card South Carolina were eventually liquidated. Juliusz Osterwa, an actor who had spent the war years in Moscow where he became acquainted with Stanislavskys work, founded an actors studio in 1919 which he called the Reduta (Redoubt), an outpost in the battle against falsity and conventionality. Monastic dedication to truth in art was the companys credo, credit report card South Carolina which Osterwa felt could be implemented by scrupulous psychological realism and selfless credit report card South Carolina communal acting. to check credit history Witkacy accepted none of these models, but it was particularly in reaction to the psychological realism of Stanislavsky and the Reduta credit report card South Carolina that he formulated his theory of Pure Form in the Theatre, which he published in 1920. Pure Form is a radical theory of non-realistic drama, according to which the performers and their words, gestures, and actions should serve as sounds, colors, and shapes in a total composition independent of any reference to the outside real world. Witkacy wished to free drama from conventional psychology and story-telling and give it the formal possibilities of modern art and music.

Artistic creation, Witkacy wrote in New Forms, is an assertion of life in its metaphysical horror, its task to be achieved not by an imitation of reality or the propagation of ideas, but through credit report card South Carolina the purely formal arrangement of component elements, which would reflect the structure of the universe. official free credit report In this way, he hoped to arouse in the spectator the metaphysical feeling of the strangeness of existence which would be lost forever in the mechanized routine of the perfect anthill society of the future. Art, for Witkacy, meant the creation of form, and theatre should be not a means of expression, but a construct in which the actor could function as a pure instrument rather credit report card South Carolina than as a register of experiences, as was the aim of Stanislavsky and his disciples Both the conservative critical establishment and the left-leaning Futurists (the largest Polish avant-garde formation) refused to accept either Witkacys plays or his theories. The theatre critics claimed that his plays made no sense at all, while the Futurists found, on the contrary, that they credit report card South Carolina made far too much sense. Witkacy maintained that the wrong people were writing for the stage; not professional men of the theatre, but children and painters should become playwrights, he argued. Through the theory and practice of Pure Form, Witkacy hoped to restore to the overly rationalized stage of realism the magical perceptions of childhood and the modern painters sense of color and shape. legit free credit report The theatre would thus become an autonomous art with a scenic credit report card South Carolina language of its own. For the materials of his dramas, Witkacy was wildly eclectic in his borrowings and appropriations. He constantly blurred the borders separating popular culture and high art and had recourse to the low genres of melodrama, farce, and science fiction, and he utilized the materials of popular entertainments, such as adventure stories, pulp romances, spy thrillers, and yellow peril tales of horror.